Speaker Ghosting,
Demystification of Long Lived Puzzles and the Raison
D’être of the Perfect: Anatomizing English and Balkansprachbund
Data
Krasimir Kabakčiev
ISBN: 978-960-598-799-2, 162 pages
First published in 2026 by ATINER
Price: Paperback: 50€ (It includes
Shipping and Handling)
Electronic copy: 30€
Table
of Contents
|
Acknowledgements |
7 |
|
PREFACE |
11 |
|
Why this book? |
11 |
|
A surprising eye
opener |
13 |
|
On the
terminological apparatus |
14 |
|
SOT: sequence of
tenses, on English material |
14 |
|
The Perfect |
15 |
|
TENSE |
16 |
|
Tensed verb forms |
16 |
|
Preterit |
16 |
|
The Aorist and
the Imperfect, historical notions; the Aorist and the Imperfect in Bulgarian |
16 |
|
The Aorist and
the Imperfect in Greek |
17 |
|
MOOD (modality) |
18 |
|
ASPECT |
18 |
|
Vendlerian
situations |
19 |
|
Verkuyl’s
aspect schemata |
19 |
|
Verkuylian leaks |
19 |
|
The
article-aspect interplay |
20 |
|
Verbal aspect |
21 |
|
Chapter One |
23 |
|
Compositional
aspect and its role as underlying the novel understanding of the Perfect
across languages |
23 |
|
Compositional
aspect: what is it and what does it have to do with the Perfect? |
23 |
|
Default
aspectual value of a sentence |
27 |
|
Languages analysed in
search of the essence and raison d’être of the Perfect |
33 |
|
Chapter TWO |
35 |
|
The
English Sequence of Tenses (SOT) rule: a preliminary issue akin to the
essence of the Perfect in and across languages – and another puzzle which
also received a solution |
35 |
|
What
is the essence of the English SOT rule? |
37 |
|
Two
speakers in a single sentence simultaneously? |
37 |
|
Cancelable
and non-cancelable content |
39 |
|
Backshift
mood |
42 |
|
Backshift
mood as a structurally important device |
44 |
|
Chapter Three |
47 |
|
Speaker
ghosting: an intriguing cross-language phenomenon found for the first time
and described on Bulgarian data |
47 |
|
Is it
true that there is no SOT rule in Bulgarian? |
49 |
|
Bulgarian
features a Sequence of TAM rule |
54 |
|
Chapter FOUR |
63 |
|
Theoretical
issues crying out to be resolved, preliminary notes on major linguistic
categories: tense, aspect, the Perfect and in particular the English present
Perfect |
63 |
|
What
is Tense? What is Aspect? What is Perfect? |
63 |
|
Some
more preliminary notes on the Perfect related to general categories such as
tense and aspect |
83 |
|
The
English present Perfect and its raison d’être: a grammeme with no own
semantics and with residual functions, among which the signaling of
non-witnessing |
85 |
|
Ultimately, what do the present Perfect and the
preterit mean? |
91 |
|
Witnessing,
and an intricate question: exactly how witnessed is the Bulgarian witnessed
form? |
99 |
|
Is it really necessary to signify – or signal –
witnessing in language? |
101 |
|
Chapter Five |
107 |
|
The Perfect as a grammatical device across languages
with no semantic content of its own, used to counterbalance the impact of
other grammatical entities; its raison d’être is the effectuation of
cancelability |
107 |
|
More
on the Perfect versus the preterit in English |
108 |
|
A comparison on what the Bulgarian and the
Montenegrin Perfect do |
109 |
|
Aspectologically the
Perfect is “an empty bag” like the preterit |
111 |
|
The
Perfect is aspectologically an empty bag like the
preterit, but it tends to imperfectivize |
111 |
|
More
on what the preterit and the Perfect do in English |
113 |
|
Possible
objections to the thesis that the Perfect in English is a cancelable form |
116 |
|
Markers of boundedness across languages and similar interdependencies |
118 |
|
Summary: many grammatical entities in a language
either hang together or exist to make up for the absence of other grammatical
entities |
120 |
|
Chapter Six |
123 |
|
The Perfect in the Balkansprachbund,
three languages described by theoretical linguists and simultaneously native
speakers: Montenegrin by Bulatović, Greek by Dimitrova, Turkish by Kutsarova |
123 |
|
The
Perfect in Montenegrin – and by extension in Serbian and BCMS in general;
speaker ghosting on Montenegrin data – found soon after its discovery in
Bulgarian |
124 |
|
The
Greek Perfect and its essence of a cancelability device as described by
Dimitrova |
126 |
|
Greek non-witnessed forms as exponents of the
cancelability feature |
128 |
|
Generally on the present
Perfect in English, Bulgarian and Greek in Dimitrova’s thesis |
128 |
|
The
phenomenon of speaker ghosting and the cancelability feature of the Turkish -mIş forms as described by Kutsarova |
132 |
|
More
on the widely held view in Turkology about the
difference between ‑mIş and ‑DI
verb forms |
135 |
|
The non-witnessed Turkish ‑mIş
forms as exponents of cancelability versus the
witnessed ‑DI forms |
135 |
|
Final
notes |
137 |
|
Chapter Seven |
139 |
|
Final
notes on the entirely novel understanding of the Perfect and where it started
from |
139 |
|
Conclusion |
140 |
|
References |
143 |
|
Abbreviations |
151 |
|
Index
of terms |
153 |
|
Index
of authors |
159 |