The Visual and
Performing Arts:
An International
Anthology: Volume I
Edited by Stephen Andrew Arbury
ISBN: 978-960-9549-90-5, 428 pages
First published in
2012 by ATINER
Price: Paperback:
50€ (It includes Shipping and Handling)
Electronic copy:
30€
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1. |
The Visual and Performing
Arts: An International Anthology: An Introduction Stephen Andrew Arbury |
1 |
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Part A: Issues in Theatre and Cinemas |
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2. |
“The Distance” of
Woman and Man in Nuri Bilge Ceylan Cinema Nilay Ulusoy |
7 |
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3. |
The Importance of Theatre in the Interrogation of the
Other Anastasia Kapra |
17 |
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4. |
Staging Real Stories: Performance and Cultural
Rights Lule Rosenbaun |
23 |
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5. |
“But we will speak!” Eight Men Speak and the Silencing of the Radical Leftist Theatre
in Canada: 1929-1936 Moira J. Day |
33 |
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6. |
Intercultural
Theatre for the 21st Century: Demolishing Epistemic Walls and
Building New Glocalities Stefano
Muneroni |
63 |
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7. |
Going
Green Globally Siobhan
Bremer |
73 |
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Part B: The Far Reaches of Two-and Three-Dimensional
Art |
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8. |
Evaluating
a Painting in the Perspective of Interpicturality
over Claude Levi Strauss’s Myth Analysis Oktay Köse and Tuğba Kodal |
81 |
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9. |
Interpicturality in Herman Braun-Vega’s Paintings Kubilay
Aktulum |
89 |
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10. |
Contemporary
Photography in Senegal: Building on West African Photographic Heritage Anne L.
Pierce |
103 |
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11. |
Seeing
Double: Aspects of the Lives of Turkish Transsexual Prostitutes Mary
Robert |
113 |
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12. |
Masks
of Time: Contemporary Practices and Tools for Interpreting Ancient Cultural
Monuments Jeni Mihova |
119 |
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13. |
Various
Aspects of Noh Masks and their Development in Japanese Theater
Tradition Ekaterina
Morozova |
131 |
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14. |
An
Empirical Study in the Design Studio: The Rubik’s Cube Metaphor Mehmet Uysal and Dicle Aydin |
137 |
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15. |
Change
from Horse-Drawn Carriage Manufacture to Automotive Manufacture in Bursa, the
Capital of the Ottoman Empire Meltem Ozkaraman Sen |
151 |
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Part C: Fine Applied Arts |
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16. |
The
Artist as Conduit for Cultural Exchange: Fabric Prints Inspired by Studies of
World Arts Traditions Catherine
Ruth Joslyn |
167 |
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17. |
Evil-Eye
Beads Production in Turkey Today Ekrem Kula, Esin Kucukbicmen
and Yasemin Aslan Bakiri |
171 |
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18. |
Ceramic
and Blue Dilek Alkan Ozdemir |
177 |
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19. |
Overview
of Contemporary Turkish Ceramic Art Deniz Onur Erman |
187 |
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20. |
Texture
in Ceramics Zehra Cobanli and Lale Demir |
201 |
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21. |
Contemporary
Art and Design with Wood: American Studio Furniture Tolga Benli |
211 |
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Part D:
Issues
in Art History |
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22. |
The
Cultural Trojan Horse: Art in Greece since 2000 C.E. Karlie
Harstad |
225 |
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23. |
Bona
Fide Materials: The Effect of History on Authentic Experience Patrick
Vincent |
245 |
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24. |
Mythological
Representations in Chinese Art: Female
Immortals in Ming (1368-1644) Figure Paintings Zexun Zhang |
257 |
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25. |
Power
and Religious Patronage in the Making of Indo-Greek Art in Northwest India Nalini Rao |
269 |
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26. |
Apollonian
and Dionysian in Gustav Klimt’s Frieze at the Pelesh
Castle, Romania Antonela Corban |
281 |
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Part E: Current Issues in Art Education |
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27. |
The
Analysis of the Notion “Freedom” in Fine Arts Academies. Are Fine Arts
Academies against the New Enterprises? Firat Arapoglu and Insel
Inal |
293 |
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28. |
Adolescents’
Investigation of Popular Culture Imagery in the Art Classrooms Karen
Cummings |
303 |
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29. |
The
Characteristic of Professional Higher Education Bachelor Study Programme and
Professional Higher Education Master Study Programme “Art” in Daugavpils
University Maris Cacka, Aleksandra Šlahova,
and Ilze Volonte |
311 |
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30. |
Inclusive
Mural Painting in Contemporary Art Education Kong Ho |
323 |
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31. |
A Case
Study of the Interdisciplinary Doctoral Program at Texas Tech University:
Best Practices for an Integrated Arts Curriculum Janice
N. Killian, Linda Donahue and Carol Edwards |
335 |
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32. |
Problems
in the Perception of Linear Perspective Aleksandra
Šlahova |
347 |
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Part F:
Graphic Design |
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33. |
Green
Mapping: A Graphic Design Challenge Jessica
Ring |
367 |
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34. |
The Films Title Sequences in Early Years of Turkish Cinema Nazli Eda Noyan |
381 |
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35. |
A
Dramaturgical, Semiotic and Visual Analysis of the Design of Theatre Lobby
Display Raymond
W. Young, Deborah C. Morgan, and William V. Faux II |
395 |